FLUX.2 art styles, compared on the same scenes

93 styles · 6 scenes · one seed

Every image on this page was generated with FLUX.2 [klein] 4B from the same six scene descriptions and the same seed (93250169); only the style sentence changes. The first row shows the scenes with no style at all. Pick how many scenes you want to see per row, choose which ones, search a style, and copy its sentence straight into your own prompt.

How these images were made, and the six scene prompts

Model: FLUX.2 [klein] 4B, the distilled open-weights model by Black Forest Labs (Apache 2.0), 4 steps, guidance 1, 1024×1024, seed 93250169. Each prompt is the style sentence, then the scene description, then a short reminder of the style. Styles that the model ignores on most scenes are still shown: the comparison is the point.

Fox
A red fox sits upright in a wide forest clearing in autumn, facing the camera, calm and attentive. Medium shot: the fox fills about a third of the frame, with the clearing visible around it; fallen leaves in orange, red and gold on the ground, tall grass turning yellow, the surrounding trees blazing in autumn colours. Soft warm afternoon light, a light mist between the trees.
Galaxy bottle
A medieval alchemist's laboratory lit by candles. On a heavy carved oak table stands a large round glass flask with a cork; inside it swirls a galaxy of deep blue, violet and soft pink with bright white stars that light the tabletop. Behind, a rough grey stone wall and a wooden shelf of glass jars, scrolls and copper stills.
Lighthouse
Bright sunny afternoon on the coast, blue sky with a few small clouds. A tall whitewashed stone lighthouse with a red lantern room stands alone on a small rocky islet just off the shore. In the foreground, a wide beach of pale sand and low dunes covered with grass and wildflowers.
City square
Late afternoon on a large open city square seen from a cafe terrace. The square is paved with polished pale marble and cream limestone, bright and elegant. A tall white marble fountain in the centre; around the square, buildings of different eras side by side: a gothic church with a pointed spire, ochre and pink townhouses with shutters, a glass office block, and smart shopfronts with striped awnings. A few people strolling, warm golden light.
Clipper ship
Night at sea under a full moon and the Milky Way. A three-masted clipper ship with a long narrow black hull and a gold stripe, square sails stacked in four tiers, taut rigging, drifts on a perfectly flat, mirror-still sea without a single wave. The moon is the only light: silver edges on the sails, dark hull, and a long unbroken reflection of the ship and the moon on the glassy water.
Surfing marmot
A tailless alpine marmot surfing, riding diagonally down the wall of the wave: it stands on a surfboard, feet wide apart, one hind foot on the tail and the other in the middle, knees bent, the board tilted along the slope of the wave and sliding down it, a wake behind. Its body faces the wall of water on its right while its head turns toward the camera with a smile. Only one paw is raised, making a V-for-victory sign with two fingers; the other paw is stretched out low to the side for balance. It rides a huge turquoise wave at a tropical reef break; the wave breaks from right to left, the thick lip pitches over above the marmot from the right, the open face of the wave runs off to the left, spray flying, steep green volcanic mountains behind under a bright tropical sky.
Scenes per row
Scenes

No style matches.

No style

The model's default rendering of each scene

Painting and drawing12 styles

Watercolor

Watercolor painting on rough paper: translucent washes, soft bleeding edges, white paper left for highlights.

Oil painting

Oil painting on canvas: thick impasto brushstrokes with visible ridges of paint, rich layered colour, the weave of the canvas showing in thin areas, glossy varnish.

Gouache

Gouache illustration: opaque matte paint in flat velvety layers, slightly chalky surface, crisp edges between colour areas, no glossy highlights.

Ink wash

East Asian ink wash painting (sumi-e): diluted black ink on rice paper, a few confident brush gestures, soft grey gradients, large empty white areas, no colour, no seals, no calligraphy.

Pencil sketch

Graphite pencil sketch on white paper: fine hatching, visible construction lines, no colour.

Charcoal drawing

Charcoal drawing on rough grey paper: smudged black and grey tones, soft blended shadows, a few sharp dark accents, fingerprints and dust, no colour.

Pastel drawing

Chalk pastel drawing on textured dark paper: powdery strokes, soft blended colours, visible paper grain through the pigment, chalky highlights.

Pen and ink

Pen and ink drawing: fine black lines, dense cross-hatching for the shadows, stippling for the midtones, pure white paper for the light, no colour at all.

Colored pencil

Coloured pencil drawing on white paper: layered directional strokes, waxy texture, visible pencil grain, soft edges, the paper showing through in the lights.

Crayon drawing

A child's wax crayon drawing: thick waxy strokes, wobbly outlines, bright primary colours that do not stay inside the lines, white paper showing through, no writing.

Linocut

Linocut print: bold black shapes carved with visible gouge marks, thick rough outlines, two or three flat ink colours, slightly uneven ink coverage.

Screen print

Screen print: four flat spot colours slightly misregistered, halftone texture in the shadows, hard edges, no gradients, ink on off-white paper, no text, no lettering.

Art movements16 styles

Impressionism

Impressionist painting in the manner of the 1870s: short broken dabs of pure colour, soft edges, shimmering light, no black, the whole scene dissolving into brushstrokes.

Expressionism

Expressionist painting: wildly distorted shapes, thick jagged brushstrokes, clashing unnatural colours, dark heavy outlines, raw emotional intensity, no realistic detail.

Cubism

Cubist painting of the 1910s: the scene broken into overlapping geometric facets seen from several angles at once, muted ochres, greys and browns, flattened space.

Surrealism

Surrealist painting: dreamlike and impossible, melting or floating elements, distorted scale, long shadows, smooth precise academic brushwork, uncanny calm, the scene itself made strange.

Pop art

Pop art screen print of the 1960s: flat saturated primary colours, thick black outlines, Ben-Day halftone dots, no realistic shading.

Art Nouveau

Art nouveau illustration: flowing ornamental lines, flat muted colours, a decorative border of stylised flowers and curves around the picture.

Art Deco

Art deco poster of the 1920s: bold symmetrical geometric shapes, streamlined forms, sunburst motifs, a palette of black, cream and metallic gold, strong vertical lines, no text, no lettering.

Bauhaus

Bauhaus composition: the scene reduced to circles, triangles and rectangles in primary red, blue and yellow with black and white, flat colour, strict geometry, no text, no lettering.

Baroque

Baroque oil painting of the 17th century: dramatic chiaroscuro, a single warm light against deep darkness, rich reds and golds, theatrical movement, glazed depth.

Renaissance

Italian Renaissance painting: soft sfumato modelling, balanced classical composition, muted earth tones and ultramarine, delicate glazes, egg tempera and oil on panel.

Pointillism

Pointillist painting: the whole image built from thousands of tiny dots of pure colour placed side by side, no lines, colours mixing in the eye, luminous and vibrating.

Fauvism

Fauvist painting: wild, flat, non-naturalistic colour, orange skies, blue trees, bold simplified shapes with thick brushstrokes, no shading.

Ukiyo-e

Japanese ukiyo-e woodblock print of the Edo period: flat muted colours, bold black ink outlines, stylised waves and clouds, visible paper texture, no lettering, no seals.

Illuminated manuscript

Medieval illuminated manuscript page: flat tempera colours, burnished gold leaf, an ornate border of vines and small creatures, parchment texture, no perspective, no lettering.

Folk art

Folk art painting: naive flat figures, bright simple colours, decorative repeated patterns of flowers and dots, no perspective, painted on wood.

Psychedelic

1960s psychedelic poster art: swirling liquid shapes, concentric wavy lines, clashing saturated colours, kaleidoscopic distortion, no text.

Illustration and comics22 styles

Comic book

American comic book art: bold black ink outlines, flat colours with Ben-Day dots, dynamic exaggerated shading, a panel border, no speech balloons, no text.

Manga

Black and white manga panel: clean ink lines, screentone shading in dot patterns, high contrast, speed lines, pure black and white with no grey wash, no text.

Anime

Anime illustration in the style of a 2000s animated film: clean cel shading, bright colours, soft painted background, large expressive details.

Retro anime

1990s anime film still: hand-painted cel animation, slightly grainy, muted analogue colours, soft painted background, simple cel-shaded characters, 4:3 TV look.

Ligne claire

Franco-Belgian comic illustration in ligne claire: uniform clean black outlines, flat colours, no shading, no gradients.

Cartoon

2D cartoon illustration: thick bold outlines, flat bright colours, rounded simplified shapes, exaggerated proportions, no texture, no realistic shading.

Children's book

Children's picture book illustration: soft rounded simplified shapes, gentle warm pastel colours, gouache and coloured pencil texture, friendly naive drawing with no realistic detail, cosy and whimsical.

Fairy tale illustration

Vintage storybook fairy tale illustration: fine ink line work tinted with delicate watercolour, decorative vignette edges, aged cream paper, early 20th-century book plate, no caption, no text.

Natural history illustration

19th-century natural history plate: precise scientific ink drawing with watercolour, every detail rendered with care, aged yellowed paper, foxing spots, no text.

Flat vector

Flat vector illustration: simple geometric shapes, flat colours, no outlines, no texture, no gradients, minimal detail.

Minimalism

Minimalist illustration: only a few flat simple shapes, two colours plus white, large empty space, no outlines, no texture, no detail.

Line art

Minimalist line art: a single continuous thin black line on pure white, no fill, no shading, no colour, elegant and sparse.

Silhouette

Silhouette illustration: every element a solid black cut-out shape with no interior detail, against a bright smooth gradient background in one or two colours.

Sticker

Die-cut vinyl sticker: the whole scene simplified into one glossy illustration with a thick white border around its outline, bold colours, drop shadow, isolated on a plain background.

Tarot card

Tarot card illustration: an ornate symmetrical frame with occult symbols, flat mystical colours, stars and moons, Art Nouveau lines, aged card stock, no text, no numerals.

Vintage travel poster

Vintage 1930s travel poster: bold simplified shapes, limited palette of warm flat colours, screen-print texture, no text, no lettering.

1950s illustration

1950s mid-century illustration: loose gouache and ink, limited retro palette of teal, mustard and coral, stylised elongated shapes, printed paper texture, no text, no lettering.

Blueprint

Architectural blueprint: thin white technical lines on deep blue paper, orthographic precision, dimension lines and a faint ruled grid, no shading, no colour, no text, no numbers.

Coloring book

Coloring book page: clean black outlines only on pure white, no shading, no colour, no grey, every area left empty to colour in.

Kawaii

Kawaii chibi illustration: everything cute and rounded with big sparkling eyes, pastel pink and mint colours, blush marks, tiny sparkles and hearts, soft outlines.

Graffiti

Graffiti mural spray-painted on a brick wall: bold rounded spray shapes, drips, thick outlines, neon spray colours, a bit of overspray and grime on the bricks, no letters, no words.

Traditional tattoo

American traditional tattoo flash: bold black outlines, a limited palette of red, green, yellow and black, flat fills, simple iconic shapes, drawn on cream flash paper, no banners, no text.

Photography and camera looks12 styles

35mm film

35 mm analog film photograph: fine grain, slightly faded colours, soft contrast, natural light, the look of Kodak Portra.

Black and white photo

Black and white fine art photograph: rich tonal range from deep blacks to bright whites, fine silver grain, careful composition, no colour.

Instant photo

Instant film photograph: a square print with a wide white frame, faded washed-out colours, slight blur, light leaks, a cyan-green cast, soft contrast, no handwriting on the frame.

Cinematic still

Cinematic film still: anamorphic widescreen framing with black letterbox bars, teal and orange colour grading, shallow focus, soft lens flare, moody dramatic light.

Film noir

Black and white film noir movie still: hard shadows, strong contrast, a single dramatic light source, 1940s cinematography.

Sepia

Vintage sepia photograph from around 1900: warm brown monochrome, soft focus, faded edges, scratches and dust, slight vignette, printed on thick card.

Cyanotype

Cyanotype print: the whole image in Prussian blue and white only, soft contrast, slightly uneven brushed edges of the emulsion on textured paper.

Double exposure

Double exposure photograph: two translucent exposures of the same scene superimposed at different scales, ghostly overlapping silhouettes, soft blended transparency, pale washed-out highlights.

Tilt-shift

Tilt-shift photograph of a miniature: only a narrow horizontal band is sharp, strong blur above and below it, oversaturated toy-like colours, the whole scene looks like a tiny scale model.

Fisheye

Fisheye lens photograph: extreme circular barrel distortion, curved horizon, the edges of the frame stretched and bent, very wide angle.

Cross-processed film

Cross-processed slide film: oversaturated shifted colours with cyan shadows and yellow highlights, heavy contrast, strong dark vignette, coarse grain.

Flash snapshot

Candid snapshot from a disposable camera: harsh direct flash, flat lighting, red-eye glow, washed-out foreground, dark fallen-off background, grainy, slightly tilted, no text.

3D and digital10 styles

3D render

Glossy 3D render: smooth plastic-like surfaces, perfect mirror reflections, clean soft studio lighting, subtle ambient occlusion, everything a little too clean and smooth to be real, raytraced CGI.

3D animation

Still from a 3D animated feature film: rounded stylised characters and objects, soft subsurface skin and fur, big expressive shapes, warm cinematic lighting, polished family-animation look.

Clay animation

Stop-motion claymation still: everything sculpted from plasticine with fingerprints and tool marks, slightly lumpy shapes, studio lighting.

Low poly

Low poly 3D render: every surface made of visible flat triangular facets, no textures, flat-shaded colours, simple lighting, geometric and angular.

Voxel art

Voxel art: the whole scene built from small 3D cubes like a blocky video game, visible cube edges, flat colours, simple directional lighting, no smooth surfaces.

Pixel art

16-bit pixel art from a 1990s console game: the whole picture made of large visible square pixels, a palette of 32 colours, hard jagged edges, no anti-aliasing, no smooth gradients, no interface, no text.

Isometric 3D

Isometric 3D diorama: the scene as a small cut-out model seen from a 30-degree isometric angle, clean edges, soft shadows, floating on a plain background.

Hologram

Glowing blue wireframe hologram: the scene drawn only with translucent cyan light lines and scanlines, flickering glow, on a dark background, no solid surfaces.

Concept art

Digital concept art for a video game: painterly brushwork, dramatic atmospheric lighting, loose detail in the edges, epic sense of scale, matte painting feel.

Glitch art

Glitch art: the image corrupted with horizontal pixel shifts, RGB channel splitting, blocky compression artefacts, torn scanlines, parts of the picture displaced.

Themes and aesthetics7 styles

Cyberpunk

Cyberpunk look: rainy night, pink and cyan neon light on every surface, wet reflections, holographic signs, haze, the same place and subject reimagined in a cyberpunk future.

Steampunk

Steampunk reimagining: Victorian brass and copper machinery, exposed gears, rivets, pressure gauges, leather and steam, warm sepia-brown palette, the same subject rebuilt in steampunk.

Solarpunk

Solarpunk vision: lush greenery and flowering vines growing over everything, solar panels and small wind turbines, bright optimistic daylight, art nouveau curves, white and green palette, the same subject in a green future.

Synthwave

Synthwave aesthetic: purple and magenta sunset, a glowing grid on the ground, neon outlines, chrome highlights, 1980s retro-futurism.

Vaporwave

Vaporwave aesthetic: pastel pink and teal palette, soft glow, a few floating geometric shapes, dreamy 1990s digital nostalgia.

Fantasy art

Epic fantasy illustration: rich painterly digital rendering, magical glowing light and drifting sparks, ethereal mist, enchanted ornate details, saturated jewel colours, a sense of myth and wonder, no text.

Retro-futurism

1960s retro-futuristic illustration: atomic-age optimism, rounded chrome and pastel shapes, bubble domes and fins, smooth airbrushed gradients, space-age look, no text, no lettering.

Craft and materials14 styles

Paper cut

Layered paper cut art: every element cut from coloured card and stacked in layers with soft drop shadows between them, no gradients.

Paper collage

Mixed media paper collage: the scene assembled from torn pieces of coloured and printed paper with ragged white edges, overlapping layers, visible glue, halftone textures, no readable text.

Paper quilling

Paper quilling: every shape made of tightly rolled and curled narrow paper strips glued on edge, coils and scrolls, soft shadows between them, on a plain backing.

Origami

Origami: every element folded from single sheets of coloured paper with sharp creases and flat planes, visible fold lines, on a plain surface.

Needle felt

Needle-felted wool sculpture: everything made of fuzzy matted wool fibres, soft rounded shapes, visible fibre texture, slightly uneven handmade look.

Crochet

Crochet amigurumi: everything made of yarn with visible crochet stitches, chunky rounded shapes, embroidered details, soft handmade toy look.

Embroidery

Hand embroidery on linen fabric: the scene stitched in coloured thread with visible satin stitches and French knots, raised texture, the fabric weave showing around the stitches, filling the whole frame.

Wood carving

Carved wooden sculpture: the whole scene carved in relief from a single block of warm wood, visible chisel marks and grain, natural oiled finish, no paint.

Marble sculpture

The whole scene carved as a white marble bas-relief: every element sculpted in polished white stone with soft grey veins, monochrome, no colour anywhere, museum spotlight.

Toy bricks

Built entirely from interlocking plastic toy bricks: visible studs on every surface, blocky stepped shapes, glossy primary-coloured plastic, like a brick model.

Neon sign

The whole picture drawn as a neon sign: every shape is a glowing coloured neon tube, simplified outlines, bright glow and reflections on a dark brick wall, nothing else drawn, no lettering.

Blown glass

Blown glass sculpture: everything made of translucent coloured glass with smooth rounded forms, internal swirls and trapped bubbles, bright specular reflections and refractions, lit from behind.

Stained glass

Stained glass window: the scene made of coloured glass pieces separated by black lead lines, light shining through, cathedral style.

Mosaic

Mosaic: the whole picture assembled from small square ceramic tiles with visible grout lines between them, slightly irregular tesserae, flat glazed colours.